When the novel opens where is jonathan harker traveling to

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Eight Week Quiz A. Eight Week Quiz B. A wild howling commences, the horses strain and rear, and wolves begin to gather from all sides as fine, powdery snow begins to fall. Harker falls asleep, probably from psychological strain and also from physical weariness; when he awakens, the caleche is stopped and the driver is gone. A ring of wolves "with white teeth and lolling red tongues" surrounds Harker. He feels "a sort of paralysis of fear. There seems to be no one around. Then without warning, the driver reappears, signals the wolves to disperse, and he drives onward, ascending again, ever higher, until at last they are in the courtyard of a vast ruined castle, the castle of Count Dracula.

From what we read in Harker's journal, it is clear that the young lawyer is a very logical, organized sort of man. Clearly, Stoker is setting up his protagonist as a very rational individual; in this way, the horror of the melodrama which will occur later will be encountered by a man who will try to combat it with common sense and logic.

As a result, the terror of Stoker's narrative will become heightened and will seem more believable and less excessively hysterical. Had Stoker chosen a nervous, emotional type of man for his hero, his gothic melodrama would have become, or could have become, laughable and ludicrous.

This is not the case, however; because of the carefully calculated way in which Stoker indicates and unravels the mystery of Count Dracula, he achieves a mastery over his subject matter that mitigates the raw horror and, instead, intensifies each chapter's sense of anxiety and portentous dread.

One of the first devices that Stoker uses to let us know that Harker is sensible and rational in addition to the fact that he is a lawyer is by having Harker recall in his journal that he spent quite a bit of time prior to his journey in the British Museum; there, he read as much as he could about the provinces through which he would be traveling provinces originally occupied by Attila and the Huns ; Harker tried his best to locate the exact locality of Castle Dracula, but unfortunately, he was not able to pinpoint the location precisely, because the castle is located in one of the "wildest and least known portions of Europe.

That night, Van Helsing informs Seward that he intends to watch the Westenra tomb and try to prevent Lucy's prowling about by blocking the tomb's door with garlic and a crucifix.

He leaves Seward a set of instructions which he is to follow if something should happen to him. After the two are convinced of Van Helsing's good intentions and have his trust, Van Helsing informs them of the things which he intends to do.

First, he will open the coffin which Arthur strongly objects to — until Van Helsing explains that Lucy might be one of the "Un-Dead" , then he will perform the necessary "service. Van Helsing pleads that he must do these things for Lucy's sake, so that her soul will rest peacefully. A few hours later, the four men go to the cemetery.

In the tomb, the coffin lid is removed, and they all see that the coffin is empty. Van Helsing asks for Seward's confirmation that the body was in the coffin yesterday; Seward, of course, concurs with Van Helsing. Van Helsing then begins an intricate ceremony: From his bag he removes a "thin, wafer-like biscuit" and crumbles it to a fine powder; then, he mixes the crumbs with a doughy substance and begins to roll the material into the crevices between the door jam and the mausoleum door.

Van Helsing informs them that he is sealing the tomb so that the "Un-Dead may not enter. The four men hide among some trees near the tomb and begin waiting. Soon, by the light of the moon, the men see a ghostly white figure moving through the cemetery.

As it nears them, it becomes all too apparent that the creature is, indeed, Lucy Westenra. According to Seward's diary entry, her "sweetness was turned to adamantine. Lucy's lips are covered with fresh blood, and her burial gown is stained with blood.

Upon learning that she is surrounded, Lucy reacts like a cornered animal. The child which she holds is tossed to the ground, and she moves towards Arthur saying, "Come, my husband, come.

Just as Lucy is about to attack him, Van Helsing repels her with a crucifix. Dashing towards the tomb, she is prevented from entry by the host, which Van Helsing placed earlier around the door.

Asking Arthur if he is to proceed with his duty, Arthur responds: "Do as you will. There can be no horror ever any more.